In the following essay, Shakespeare scholar and biographer Duncan-Jones separates fact from theory in Greenblatt's biography.

Literary biographies almost always disappoint. Instinctively, we want to learn all we can about individuals whose creations have moved us, and with and through which we have lived. Time and again a writer's own behaviour proves not only to have been not only much less admirable than that of his persona or characters but also much less interesting. In this sense, Greenblatt's decision to conclude his study with the statement that Shakespeare was 'determined to end his days … within the boundaries of the everyday' serves as a preemptive strike. If the records show a Shakespeare who was somewhat commonplace, even a bit of a bore, let him at least have desired strongly to become such a man.

Earlier in the book Greenblatt attributes some inner musings to his hero of staggering...