This section contains 2,194 words (approx. 6 pages at 400 words per page) |
![]() |
Crabtree maintains that the close connection between the themes of feminist/black self-determination and traditional or folk material needs to be further explored. She dwells, among other things, on the storytelling frame, on Hurston's use of language, and her incorporation of a folk consciousness in her narration.
Recent years have seen a renewal of interest in the work of Zora Neale Hurston marked by the publication of Robert Hemenway's 1977 biography and the anthology I Love Myself When I Am Laughing. Articles by Lloyd W. Brown, S. Jay Walker and Mary Helen Washington discuss Hurston's best novel, Their Eyes Were Watching God, in terms of its themes of feminism and black self-determination An area that remains virtually untapped in Hurston criticism is the intimate connection between these themes and the folkloric themes and motifs which Hurston has embedded in her novel. Critics have largely neglected or misunderstood Hurston's...
This section contains 2,194 words (approx. 6 pages at 400 words per page) |
![]() |