While critical of the playwright's neglect in the area of plot, Lucre praises Albee's play as his strongest in years.

Receptive audiences at Vienna's English Theatre, which in the past has been host to Tennessee Williams, Harold Pinter, Lanford Wilson, are hailing the new Edward Albee offering, giving the play's three-in-one heroine emotional precedence over men and women in his previous dramas. In stirring anecdotes, the eldest third of Albee's strong composite heroine, a ninety-year-old with a prodigal son, divulges her prejudices, her attitudes and insights on the lack of substance in the upper crust into which she has married. The two other onstage characters, materializations of her self before childbirth and at middle age, hear the older component bemoan her husband's and friends' lack of backbone or moral fibre. Regrettably, her disillusion has led her to replace the legendary milkman or back seat of a car...