But today, even the land is threatened. A photograph in what I will call the "Yellow Woman" section of Storyteller is of the Anaconda company's open-pit uranium mine. "This photograph," Silko tells us, "was made in the early 1960s. The mesas and hills that appear in the background and foreground are gone now, swallowed by the mine." This photograph deepens our understanding of many things in Storyteller: of the importance of the photographs to the stories, for one thing, and of Silko's father's love of photography for another. "He is still most at home in the canyons and sandrock," she says, "and most of his life regular jobs / have been a confinement he has avoided." Some might think less of him for this, but Silko stifles this tendency—first by the story of Reed Woman and Corn Woman that precedes the reminiscence about her father and...