Kryhoski is currently working as a freelance writer. She has also taught English Literature in addition to English as a Second Language overseas. In this essay, Kryhoski considers the power of images defining Keneally's text.

In Schindler's List, Thomas Keneally treats the subject of the Holocaust with sensitivity and grace in describing the account of Oskar Schindler, a German businessman whose "bottom line" in business was the successful rescue of Jews from the gas chamber. His account of the events surrounding such rescues is skillfully rendered by the employment of a series of images. As a good poet might, Keneally's use of imagery suggests ideas by "its vividness, emotional depth, psychological overtones, strangeness or familiarity, and connections to other images" in the work (excerpt taken from John Drury's "Creating Poetry"). The use of imagery is where Keneally's "poetic" genius lies—his presentation of images is powerful...