This section contains 161 words (approx. 1 page at 400 words per page) |
Boehmer, Elleke, "The Master's Dance to the Master's Voice: Revolutionary Nationalism and the Representation of Women in the Writing of Ngugi wa Thiong'o," in Postcolonial Literatures, edited by Michael Parker and Roger Starkey, Macmillan Press, 1995, pp. 143-53.
Cook, David, and Michale Okenimpkpe, "Petals of Blood," in their Ngugi wa Thiong'o: An Exploration of His Writings, Heinemann Educational Books, 1983, pp. 87-112.
Crehan, Stewart, "The Politics of the Signifier: Ngugi wa Thiong'o's Petals of Blood," in Postcolonial Literatures, edited by Michael Parker and Roger Starkey, Macmillan Press, 1995, pp. 101-26.
Gikandi, Simon, "The Political Novel," in his Reading the African Novel, Heinemann Kenya, 1987, pp. 111-48.
Killam, G. D., "Petals of Blood," in An Introduction to the Writings of Ngugi, Heinemann, 1980, pp. 96-118.
McLaren, Joseph, "Ideology and Form: The Critical Reception of Petals of Blood," in Paintbrush: A Journal of Poetry, Translations, and Letters, Vol. 20, Nos. 29-30, Spring/ Autumn, 1993, pp. 73-91.
"Ngugi...
This section contains 161 words (approx. 1 page at 400 words per page) |