Since Omeros is a book of epic proportions written primarily in English by a black poet from a small Caribbean islands, its very existence is fraught with political complications. Walcott is an assimilator who does not hesitate to exploit every facet of his polyglot experience, whether his choices offend Afro-Caribbean purists or humanist liberals. Too little time has passed since publication of Omeros in 1990 for critical opinion to have settled definitively; however, certain aspects of the work often come under scrutiny in the commentary that has appeared. In spite of Walcott's argument to New York Times columnist D. J. R. Bruckner that he was not writing a "conundrum for scholars," it is impossible for commentators to ignore explicit epic references and parallels. To their credit, most of them quickly delve beneath the surface to focus on Walcott's creative deviation from the formula. Rei Terada's book Derek...