If Locke's opposition of wit and judgment involves as many problems as the previous section claims (and a few more will be suggested here), it is material to ask why it ever attracted Joseph Addison. That we cannot know Addison's motivation as he sat to the pages that would become Spectator 62 does not preclude some guesses. There is the general prestige of the Essay, and there is Addison's particular interest in bringing philosophy from the closet to the coffeehouse. Moreover, Locke's opposition has the appeal of familiar wisdom (so-and-so is "clever" but not thoughtful, or "steady" but not quick) suddenly bolstered by modern analysis ("and hence perhaps may be given some reason . . .") and looking for the moment as if it might offer an exhaustive characterological dichotomy (a recurrent fantasy neatly satirized in the quip, "There are two kinds of people: those who divide things into two and...