This section contains 2,586 words (approx. 7 pages at 400 words per page) |
Though the character of Figaro may be seen as deriving from a variety of stock theatrical types, the single one he relates to most obviously is the "impudent valet" in the classic "guardian and ward" plot—which is always the same: a beautiful girl is being held under lock and key by a ridiculous old man, a dragon, bent on matrimony. Enter a handsome young hero, who is smitten with love at the mere sight of her, and who then uses the devices of his ingenious valet to out-fox the old guardian, and get the girl for himself. This kind of play, as ancient as the Greeks and Romans, had crystalized into a sort of perfection in the modern Classical period, in Molière's hilarious farce, Les Fourberies de Scapin. When we first meet Figaro, in Beaumarchais' Barbier de Séville, he, too, is...
This section contains 2,586 words (approx. 7 pages at 400 words per page) |