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Baum, S. V., "E. E. Cummings: The Technique of Immediacy," inSouth Atlantic Quarterly, Vol. 53, No. 1, January 1954, pp. 70-88.
Blackmur, R. P., "Notes on E. E. Cummings' Language," in Hound & Horn, Vol. IV, No. 2, 1931, pp. 163-92.
Cummings, E. E., Collected Poems, Harcourt Brace, 1938.
--------, The Enormous Room, Liverlight, 1922.
--------, Tulips & Chimneys, Liverlight, 1976.
--------, "Unpublished Notes," Houghton Library, Harvard University.
Dendinger, Lloyd N., ed., E. E. Cummings: The Critical Reception, Burt Franklin, 1981.
Farwell, Byron, Over There: TheUnited States in the Great War, 1917-1918, Norton & Company, 2000.
Friedman, Norman, "E. E. Cummings and His Critics," in Criticism, No. 6, 1964, pp. 114-33.
--------, E. E. Cummings: The Art of His Poetry, Johns Hopkins University Press, 1960.
Gorman, Herbert, "Goliath Beats His Poetic Breast, Whilst Critics Gape," in New York Times Book Review, December 9, 1923, p. 5.
Kennedy, Richard S., Dreams in the Mirror: A Biography of E. E. Cummings, Liveright, 1980.
--------, E.E. Cummings...
This section contains 299 words (approx. 1 page at 400 words per page) |