Jon McGregor Writing Styles in If Nobody Speaks of Remarkable Things

Jon McGregor
This Study Guide consists of approximately 45 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of If Nobody Speaks of Remarkable Things.

Jon McGregor Writing Styles in If Nobody Speaks of Remarkable Things

Jon McGregor
This Study Guide consists of approximately 45 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of If Nobody Speaks of Remarkable Things.
This section contains 1,122 words
(approx. 3 pages at 400 words per page)
Buy the If Nobody Speaks of Remarkable Things Study Guide

Point of View

If Nobody Speaks of Remarkable Things is written from both the third and first person points of view. Throughout the novel, the author alternates between these two narrative vantage points in order to create a distinct contrast between the past and the present. At the start of the text, the third person narrator also employs the direct address. This means that the narrator uses second person pronouns in order to speak immediately to either the reader or another unnamed listener. For example, the novel begins with the lines, “If you listen, you can hear it. The city, it sings. If you stand quietly, at the foot of a garden, in the middle of a street, on the roof of a house” (1). From the outset of the narrative, therefore, the reader feels invited into the narrative world. The third person narrator is not simply describing a...

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This section contains 1,122 words
(approx. 3 pages at 400 words per page)
Buy the If Nobody Speaks of Remarkable Things Study Guide
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