The conflict between father and son, an issue examined by many critics, is outlined by Ernst Kris. Kris points to the relationships analyzed in most discussions of this issue: the relationships between Henry and Hal; Henry and Hotspur; and Falstaff and Hal. Falstaff, many critics agree, is a father-figure to Hal in the sense that he teaches the Prince the wars of the world, or at least the ways of his (Falstaff's) world. Kris argues that Hal rejects this guidance, just as Hal rejects his own father as a paternal image. Critics such as Barabara Baines, however, attempt to show that Hal takes his father's advice at significant moments in the play and that Henry's teachings contribute substantially to Hal's success, Other critics, including M. M. Reese, highlight Henry's failure to relate to his son. George Ian Duthie and John Lawlor continue the analysis of the father...