This section contains 2,010 words (approx. 6 pages at 400 words per page) |
Andrews Henningfeld is a professor of English literature and composition who has written extensively for educational and academic publishers. In this essay, Andrews Henningfeld considers the device of the "double" in Gothic literature and connects the prevalence of this device to psychological, cultural, and historical causes.
Perhaps the single most interesting literary device used by Gothic writers is that of the "double." Generally, the most common form of doubling in literature is the doppelgänger, a German term meaning "double-goer." A literary doppelgänger often takes the form of an alternate identity of the main character. Sometimes this can be in the physical form of a biological twin; sometimes writers create a demonic character that functions as a representation of another character's dark side. A famous example of this technique is Joseph Conrad's The Secret Sharer. In Gothic literature, the doppelgänger is often...
This section contains 2,010 words (approx. 6 pages at 400 words per page) |