In this 1901 anonymous review, the critic offers a mixed appraisal of a production ofEveryman by the Elizabethan Stage Society.

To Mr. William Poel, the secretary and originator of the Elizabethan Stage Society, we are indebted for some quaint and edifying illustrations of our early stage. None of the previous experiments has had quite the value and interest of the performance given last Saturday afternoon under the shade of the venerable walls of the Charterhouse. The place was admirably suited to the entertainment, which consisted of the anonymous morality of 'Everyman' and the scene of the interrupted 'Sacrifice of Isaac' from the 'Histories of Lot and Abraham,' which is the fourth of the Chester miracle plays. That the scene was better suited than the court of Fulham Palace, which witnessed Ben Jonson's 'Sad Shepherd,' or than the halls of the various Inns of Court which have...