Metzger is a Ph.D. specializing in literature and drama at the University of New Mexico. In this essay, she discusses how theme and character development can be employed to stage Everyman in a manner that appeals to modern audiences.

One of the significant problems with any modern staging of Everyman is that contemporary audiences have trouble appreciating the play on the same level that medieval viewers would have. The play's original audiences understood the role of religion in their lives. They believed in the reality of death, the afterlife, heaven and hell. In a period where the plague was likely to cut short life, where infant mortality was so high that people expected their children to die, and where the church could dictate behavior, the fear of death, of hell, and of Satan assumed a much larger role in life. Those factors are all much more...