In this review of an early production starring Paul Robeson as Brutus Jones, Shand offers a positive appraisal of The Emperor Jones, despite some reservations that O'Neill was over-ambitious in his themes.

Eugene O'Neill, the American dramatist, comes to Europe with a great reputation. Genius, we hear, is not too high a term for him. So that on going to see a new play of his some of us expect to see something "Diff'rent" from the usual. The Emperor Jones, produced last week at the Ambassadors, at first seems unconventional in form; and though few would argue that constructional novelty is any criterion of future fame, praise must always be given to any fresh attempt to loosen the girths of modern drama. In my opinion, the modern technique is too tight. The acquisition by any less vigorous mind than an Ibsen's of the highly specialised technicalities necessary...