This section contains 157 words (approx. 1 page at 400 words per page) |
Andrews, Elmer, The Art of Brian Friel: Neither Reality Nor Dreams, St. Martin's Press, 1995, pp. 226-27.
Gleitman, Claire, "Negotiating History, Negotiating Myth: Friel Among His Contemporaries," in Brian Friel: A Casebook, edited by William Kerwin, Garland, 1997, p. 237.
Kerwin, William, ed., Brian Friel: A Casebook, Garland, 1997, p. 237.
McGrath, F. C., Brian Friel's (Post)Colonial Drama: Language, Illusion, and Politics, Syracuse University Press, 1999, p. 247.
Murray, Christopher, "'Recording Tremors': Friel's Dancing at Lughnasa and the Uses of Tradition," in Brian Friel: A Casebook, edited by William Kerwin, Garland, 1997, p. 36.
O'Toole, Fintan, "Marking Time: From Making History to Dancing at Lughnasa," in The Achievement of Brian Friel, edited by Alan J. Peacock, Colin Smythe, 1993, p. 214.
Peacock, Alan J., ed., The Achievement of Brian Friel, Colin Smythe, 1993, pp. xviii, xv.
Pine, Richard, Brian Friel and Ireland's Drama, Routledge, 1990, pp. 1, 4, 5, 8.
Schlueter, June, Dictionary of Literary Biography, Volume 13: British Dramatists Since World War II...
This section contains 157 words (approx. 1 page at 400 words per page) |