Cinema 1: The Movement-Image - Theses on movement, First commentary on Bergson Summary & Analysis

This Study Guide consists of approximately 32 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Cinema 1.

Cinema 1: The Movement-Image - Theses on movement, First commentary on Bergson Summary & Analysis

This Study Guide consists of approximately 32 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Cinema 1.
This section contains 672 words
(approx. 2 pages at 400 words per page)
Buy the Cinema 1: The Movement-Image Study Guide

Theses on movement, First commentary on Bergson Summary and Analysis

In his first book about film Gilles Deleuze writes about the traditional meaning of the word "philosophy" as "the creation of concepts." This book titled "Cinema 1" is published in 1983, in which he proposes, ". . . it is not sufficient to compare the great directors of the cinema with painters, architects or even musicians. They must also be compared with thinkers. . . . that the future makes possible."

Bergson's first thesis of movement and instant is one of his three theses on movement in film. This thesis posits that movement is distinct, or apart from space covered. However, the underlying notion shows that movement is not separate from space but occurs in the interval between spaces. Bergson calls this "cinematographic illusion." Cinema offers false movement. For example, a series of snapshots viewed in sequence...

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This section contains 672 words
(approx. 2 pages at 400 words per page)
Buy the Cinema 1: The Movement-Image Study Guide
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