This new synthesis is anticipated by certain elements in his previous plays, such as the marriages and festivities at the end of A Mad World and A Trick, comedies which avoid the sterner, judgment-scene conclusions of the earlier, more didactic pieces, The Phoenix, Your Five Gallants, and Michaelmas Term. The Family of Love is a particularly interesting case: like A Chaste Maid, it concludes with a celebration of marriage and the family and a clear affirmation of the goodness and power of human sexuality properly used, proclaiming the value of fruitful love in honest physical terms. The love of Gerardine and Maria, the play's romantic hero and heroine, leads logically and naturally to sexual intercourse; and the child born to them in the course of the action is a symbol of the richness and vitality of their relationship. It is no accident that the play's loveless couples...