This section contains 216 words (approx. 1 page at 400 words per page) |
Alvarez, A., "Sylvia Plath" in Triquarterly, No. 7 Fall 1966, pp. 65-74.
Bertens, Hans, The Idea of the Postmodern: A History, Routledge, 1995.
Blodgett, E. D., "Sylvia Plath: Another View," in Modern Poetry Studies, Vol. II, No. 3, 1971, pp. 97-106.
Dunn, Douglas, "Damaged Instruments," in Encounter, August 1971, pp. 68-80.
Lindberg-Seyersted, Brita, "Sylvia Plath's Psychic Landscapes," in English Studies, Vol. 71, No. 6, December 1990, pp. 509-22.
Lucie-Smith, Edward, "Sea-Imagery in the Work of Sylvia Plath," in The Art of Sylvia Plath: A Symposium, edited by Charles Newman, Indiana University Press, 1970, pp. 91-99.
Newlin, Margaret, "The Suicide Bandwagon," in Critical Quarterly, Winter 1972, pp. 367-78.
Ostriker, Alicia, "Fact as Style: The Americanization of Sylvia," in Language and Style, Vol. I, No. 1, Winter 1968, pp. 201-12.
Pettingill, Phoebe, "The Voices of Sylvia Plath," in New Leader, Vol. LXV, No. 10, May 17, 1982, pp. 10-11.
Plath, Sylvia, Collected Poems, edited by Ted Hughes, Harper and Row, 1981.
, Crossing the Water, Harper & Row, 1971.
Rosenblatt...
This section contains 216 words (approx. 1 page at 400 words per page) |