In the 1950s Britain witnessed a renewed interest in poetry, particularly in people who desired to move poetry foreword, or at least away from what some poets feared it was becoming. One phenomenon which received much attention then and which has gained a place in the literary history of England is a group of writers called The Movement. Consisting of Philip Larkin, Kinglsey Amis, John Wain, Thom Gunn, D. J. Enright, Donald Davie, John Holloway, Elizabeth Jennings, Robert Conquest, and a few others, The Movement stood for writing about real people and real events and in returning British poetry to a stricter versification, away from what they perceived as the growing sloppiness of free verse and other organic forms. In addition to opposing much of what was happening in American poetry, they opposed melodrama and hysteria, which they thought much of the poetry of World War...