[Kelly provides an extensive analysis of Orlando s character, asserting that he is distinct from Shakespeare's other romantic heroes who, as a rule, tend to be portrayed as inept and slightly ridiculous. The critic regards Orlando as generally self-possessed and capable of controlling events in As You Like It; according to Kelly, he also demonstrates a wisdom that sets him apart as a "romantic hero of a new stamp." For further commentary on Orlando's character, see the excerpts by Alfred Harbage, Brigid Brophy, Kenneth Muir, John A. Hart, and Nancy K Hayles.]

As a rule . . . we are inclined to regard Shakespeare's romantic heroes as peculiarly inept and slightly ridiculous figures. The generalization seems warranted and may, in addition, offer a valuable insight into the deepest nature of Shakespearean comedy. Like all-powerful generalizations, however, its very strength constitutes a danger. If our recognition of a pattern in many...