Johansen uses "a leaner, faster-paced prose . . . to enhance the thriller-like atmosphere," according to Jo Ann Vicarel, writing for Library Journal. From the first chapter, short, clipped sentences, often only one word, move the reader quickly down the page. The momentum generated by the ability to read each page rapidly adds to the action of the story. The characters move across several countries, beginning in Europe, going across Mexico, and ending in the United States. By not giving any of these places much local color, Johansen leaves the impression of rapid movement from place to place, with her protagonist uninterested in the local scenery. Perhaps Bess is so focused on her goals and problems she does not notice the changes of scene. The danger of a terrorist attack overrides other considerations. Even in New Orleans, where Bess is trying to appear unconcerned by continuing her usual daily routine of...