This section contains 2,564 words (approx. 9 pages at 300 words per page) |
![]() |
Caravaggio 'S Followers in Rome.
During the final years of his life and for about two decades following his death, Caravaggio's example was avidly imitated by a number of painters at Rome. This trend developed in the years immediately following 1600, as the successes of the artist's works in the Cerasi and Contarelli chapels were recognized. The dark and brooding elements of his style soon appeared in a number of works by other artists, including those of Giovanni Baglione (1566–1643), Orazio Gentileschi (1576–1639), Tomasso Salini (1575–1625), and Bartolommeo Manfredi (1582–1622). While he lived, Caravaggio detested this trend, and he tried to protect the secrets of his working methods. Two of the earliest imitators, Giovanni Baglione (1566–1643) and Tomasso Salini (1575–1625), became his sworn enemies. In 1603, Baglione sued Caravaggio and his friend Orazio Gentileschi, charging them with libel. He believed that the two were responsible for writing verses that accused him of being a...
This section contains 2,564 words (approx. 9 pages at 300 words per page) |
![]() |