To some extent, Cindy Sherman has reached cult figure status in the artworld. With her ability to transform herself into various subjects, Sherman uses her photography as a way to confront and explore the representations of women in society; additionally, she challenges ideas about appearance. With the showing of her first series, the black and white photographs in the Untitled Film Stills (1977-80), Sherman burst upon the art scene. Immediately recognized for her new way of approaching photography while promoting a feminist viewpoint, Sherman, in her international exhibitions, has generated a large following and prompted much discussion about many issues. Her images cross the boundaries of several genres, yet, essentially, all of her photographs deal with the ideas of exhibitionism, voyeurism, and in many cases, the portrayal of women. Her theatrical works employ both art theories and critical issues from the 1980s and 1990s...