The Age of the Baroque and Enlightenment 1600-1800: Music - Research Article from Arts and Humanities Through the Eras

This encyclopedia article consists of approximately 163 pages of information about The Age of the Baroque and Enlightenment 1600-1800.

The Age of the Baroque and Enlightenment 1600-1800: Music - Research Article from Arts and Humanities Through the Eras

This encyclopedia article consists of approximately 163 pages of information about The Age of the Baroque and Enlightenment 1600-1800.
This section contains 1,907 words
(approx. 7 pages at 300 words per page)
Buy The Age of the Baroque and Enlightenment 1600-1800: Music Encyclopedia Article

Idiomatic Composition.

Baroque composers often wrote music for particular instruments, taking into account their special sounds and qualities—that is, their tonal and harmonic possibilities, their distinctive voice, and range of pitches—to produce works that often have been described as "idiomatic." Composers became increasingly prescriptive about the instruments upon which their music should be played. Hence, the music of the Baroque era differed fundamentally from the medieval and Renaissance periods that had preceded it. In those earlier eras the choice of particular instruments had largely been left up to musicians themselves, who were free to choose from all the available possibilities to perform a particular piece. Many Baroque composers, by contrast, became especially famous for their writing for specific instruments. Domenico Scarlatti (1685–1757), for example, was widely known for his compositions for the harpsichord. Scarlatti himself was a virtuoso keyboard player, and his published works for...

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This section contains 1,907 words
(approx. 7 pages at 300 words per page)
Buy The Age of the Baroque and Enlightenment 1600-1800: Music Encyclopedia Article
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