This section contains 9,325 words (approx. 32 pages at 300 words per page) |
Iconoclasm can be defined as the intentional desecration or destruction of works of art, especially those containing human figurations, on religious principles or beliefs. More general usage of the term signifies either the rejection, aversion, or regulation of images and imagery, regardless of the rationale or intent. Any investigation of either the historical events or the concept of iconoclasm raises questions regarding the valuing and meaning of imagery, particularly sacred art and ecclesiastical doctrines. Traditionally, doctrinal pronouncements defined roles, functions, and meanings of art or iconoclasm within specific religious traditions.
Any study of iconoclasm is premised on the bifurcation of a historical event or a cultural attitude or idea. As a historical event, iconoclasm can be interpreted as being either active or passive. The former category includes legitimate accounts of the damaging of images; whereas the latter category corresponds to the promulgation and the contents of...
This section contains 9,325 words (approx. 32 pages at 300 words per page) |