This section contains 1,166 words (approx. 4 pages at 300 words per page) |
Talent agents began the twentieth century as vaudeville "flesh-peddlers" selling the services of their stable of comedians, actors, singers, animal acts, and freaks to theaters and burlesque houses for a percentage of these performers' compensation. With the rise of radio, television, and the movies—and their accompanying star system—the balance of power shifted to the agents. With the influence to put together productions and dictate deals in the very visible business of media, these "superagents" themselves became powerful celebrities by the end of the century.
The emerging film industry of the 1910s and 1920s found that prominently featuring the lead actors and actresses of its movies—the "stars"—in advertisements was the most effective way to sell tickets. This gave the stars leverage to demand larger salaries and increased the importance of an agent to field their scripts and negotiate their salaries.
During this time, agents were...
This section contains 1,166 words (approx. 4 pages at 300 words per page) |