In several of the Exercises, the voice of the narrator could be perceived as neutral, as simply recounting the story, albeit in a specific way. For example, "Negativities" (Part 4) and "Asides" (Part 6) are straightforward presentations of the various narrative style in question without any sense of attitude in the narrative voice. In several other cases, however, that voice is defined by a clearly developed sense of identity. In "Cockney" (Part 6) and "Feminine" (Part 10), the narrators are specific types—a British Cockney and a woman respectively. "Reactionary" (Section 9) takes character development even further, with the narrator telling the story from within a specific emotional context. Finally, there are several exercises in which character can be inferred, in which the style explored communicates a sense of character without one actually being defined—in other words, an "implied" character. "You Know" (Part 6) and "Awkward" (Part 7) are examples of this version of narrative shaping. For further consideration of this aspect of the book, see "Topics for Discussion—Go through the various exercises ..."