There is no central conflict in The Seagull, no struggle between a protagonist and some opposing character or force, but there are minor conflicts arising from a character's desire out of harmony with the needs or aspirations of another character. Mostly these have to do with love, invariably misplaced in the play. The play chronicles the frustrations of most of the major characters, their fruitless efforts to achieve what they want, and in a few cases—like that of Konstantine—depicts their disillusionment when they manage to gain a measure of success, if not in love, then at least in fortune.