Agnes and Michael's marriage becomes a metaphor for gender roles. In portraying the marital relationship between Agnes and Michael, de Hartog explores issues of conflict over traditional gender roles within the family. On their wedding night, Michael, as a man, is eager to consummate their marriage, while Agnes, as an innocent and naive young woman, is extremely anxious and nervous about getting into bed with him. She complains that she wants to go home and hints that he has gotten her drunk to more easily undress her. Soon enough, however, she overcomes her initial fears and becomes comfortable getting into bed with him.