In composing his poem-prayer, Senghor is metaphorically donning a kind of paper mask to mimic the carved and ornamented masks of traditional ritual. As a French/ African poet, he captures something of the power of African tradition and of French cultural prestige, while not being totally absorbed into either. He needs the ancestral spirits to inspire him, and he fulfills his obligation to them in recalling them in the artistic place of his poem.
Prayer to the Masks