In Chapter Three, the parallel of Sina and the beautiful, fat guinea hen that Macena can't stop talking about is significant. Metaphorically, Sina is the hen, ripe for the slaughter - ripe for rendering in any way Macena sees fit. The two of them are charged with a powerful sexual energy towards one another and while they seem to be having a conversation about a hen, they are actually discussing something else altogether.
Mama Lola: A Vodou Priestess in Brooklyn