In the poem "For my Mother May I Inherit Half Her strength" by Lorna Goodison, what are the setting, tone, conflict, theme, literary techniques and style used in the poem?

Question

Lorna Goodison

In the poem "For my Mother May I Inherit Half Her strength" by Lorna Goodison, what are the setting, tone, conflict, theme, literary techniques and style used in the poem?

For My Mother (May I Inherit Half Her Strength) My mother loved my father I write this as an absolute in this my thirtieth year the year to discard absolutes he appeared, her fate disguised, as a sunday player in a cricket match, he had ridden from a country one hundred miles south of hers. She tells me he dressed the part, visiting dandy, maroon blazer, cream serge pants, seam like razor and the beret and the two-tone shoes. My father stopped to speak to her sister, till he looked and saw her by the oleander, sure in the kingdom of my blue-eyed grandmother. He never played the cricket match that day. He wooed her with words and he won her. He had nothing but words to woo her, on a visit to distant Kingston he wrote, “I stood on the corner of King Street and looked, and not one woman in that town was lovely as you.” My mother was a child of the petite bourgeoisie studying to be a teacher, she oiled her hands to hold pens. My father barely knew his father, his mother died young, he was a boy who grew with his granny. My mother’s trousseau came by steamer through the snows of Montreal where her sisters Albertha of the cheekbones and the perennial Rose, combed Jewlit backstreets with French- turned names for Doris’s wedding things. Such a wedding Harvey River, Hanover, had never seen. Who anywhere had seen a veil fifteen chantilly yards long? and a crepe de chine dress with inlets of silk godettes and a neck-line clasped with jeweled pins! And on her wedding day she wept. For it was a brazen bride in those days who smiled. and her bouquet looked for the world like a sheaf of wheat against the unknown of her belly, a sheaf of wheat backed by maidenhair fern, representing Harvey River her face washed by something other than river water. My father made one assertive move, he took the imported cherub down from the heights of the cake and dropped it in the soft territory between her breasts…and she cried. When I came to know my mother many years later, I knew her as the figure who sat at the first thing I learned to read: “SINGER,” and she breast-fed my brother while she sewed; and she taught us to read while she sewed and she sat in judgment over all our disputes as she sewed. She could work miracles, she would make a garment from a square of cloth in a span that defied time. Or feed twenty people on a stew made from fallen-from-the-head cabbage leaves and a carrot and a cho-cho and a palmful of meat. And she rose early and sent us clean into the world and she went to bed in the dark, for my mother came in always last. There is a place somewhere where my mother never took the younger ones a country where my father with the always smile my father whom all women loved, who had the perpetual quality of wonder given only to a child…hurt his bride. Even at his death there was this “Friend” who stood by her side, but my mother is adamant that that has no place in the memory of my father. When he died, she sewed dark dresses for the women amongst us and she summoned the walk, straight-backed, that she gave to us and buried him dry-eyed. Just that morning, weeks after, she stood delivering bananas from their skin singing in that flat hill country voice she fell down a note to the realization that she did not have to be brave, just this once, and she cried. For her hands grown coarse with raising nine children for her body for twenty years permanently fat for the time she pawned her machine for my sister’s Senior Cambridge fees and for the pain she bore with the eyes of a queen and she cried also because she loved him. Lorna Goodison

Asked by qt-ally on 05 Nov 05:23

Last updated by gradydog on 21 Jun 11:45

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