The tombstone in the form of an angel is a significant unifying device. "An angel poised upon cold phthisic feet, with a smile of soft stone idiocy" is first mentioned on the second page of the novel. It is the focus of Chapter 19, "The Angel on the Porch," an excellent vignette published in slightly different form in the August 1929 issue of Scribner's Magazine. A similar angel is present in the last scene of the book when Eugene has a conversation with his dead brother, Ben. As all symbols must, this one holds a multitude of meanings: death, remembrance, existence on a spiritual plane, W. O. Gant, and the stone-like quality of people in their inability to communicate with each other. When the original title of the novel, O Lost, was changed to the inspired borrowing from Milton's "Lycidas," the angel imagery was further strengthened.
Look Homeward, Angel