How does Ian Fleming use imagery in From Russia With Love?

Auditory Imagery:

“The drowsy luxurious silence of early afternoon was broken by the sound of a car coming down the road…the tinny clang of a car door being slammed and the car drove on. The door bell rang twice. The naked man beside the swimming pool did not move, but, at the noise of the bell and of the departing car, his eyes had for an instant opened very wide…noises were identified…small cruel lips opened in a wide jaw-breaking yawn which brought saliva into the mouth. The man spat the saliva into the grass and waited.”

Olafactory Imagery:

“Outside the anonymous, cream painted door, Tatiana already smelled the inside of the room. When the voice told her curtly to come in, and she opened the door, it was the smell that filled her mind…It was the smell of the Metro on a hot evening—cheap scent concealing animal odors. People in Russia soak themselves in scent, whether they have had a bath or not, but mostly when they have not, and healthy, clean girls like Tatiana always walk home from the office…to avoid the stench in the trains and the Metro. Now Tatiana was in a bath of the smell. Her nostrils twitched with disgust. It was her disgust and her contempt for a person who could live in the middle of such a smell that helped her to look down into the yellowish eyes that stared at her through the square glass panes.”