What is the author's style in Feeding the Moonfish by Barbara Wiechmann?

The events of the play are presented from the third-person point of view. The audience is left to interpret the action without any special insight into the characters' minds or motivations. Martin's imagined conversations with the moonfish could arguably be a window into the mind of his psyche, or they may be unexplained, supernatural events. Whether imagined or real, at no time do they provide the audience with sufficient insight into Martin's motivations. The play's conclusion supports this assertion; it is defined by Martin's gentle stroking, rather than choking, of Eden's neck. The suspense surrounding his choice to comfort rather than harm Eden is heightened by the audience's uncertainty and lack of knowledge.