Friel's play is concerned with the idea of change. The acquisition of the wireless radio in the Mundy household represents a turning point in the make-up of the family, as well as in rural Irish cultural history. The radio in 1936 is a newfangled technology that brings mass-produced popular culture into the home. The entry of this variety of music into the Mundy home unleashes repressed urges in the five single women who live there. The radio is also a harbinger of more significant historical and socioeconomic changes; namely, the Industrial Revolution. The opening of a knitting factory replaces the cottage industry by which Rose and Agnes had supported themselves by hand knitting at home. Kate, the oldest of the five sisters, expresses her anxiety at the realization that change is in the air:
You work hard at your job. You try to keep the home together. You perform your duties as best you can because you believe in responsibilities and obligations and good order. And then suddenly, suddenly you realize that hair cracks are appearing everywhere; that control is slipping away; that the whole thing is so fragile it can't be held together much longer. It's all about to collapse.