The female bildungsroman is a recurring idea. When the protagonist of a bildungsroman is a female, the genre takes on an extra dimension. The protagonist encounters not only the usual problems of growing up but also the unique problems of growing up female in a male-dominated world. As a woman trying to make it as a professional, Aurora encounters these problems head on. Early examples of the female bildungsroman followed the traditional expectation that a woman would see marriage as her fulfillment upon reaching maturity. In a sense, that is true of Aurora, but Browning's conclusion is more like later novels that portrayed women as accepting marriage not just for social advancement or exposure to the world but also as the culmination of the mutual growth that occurs in a loving relationship.