In A River Sutra, Gita Mehta took a new direction in her writing. In her previous works, Karma Cola (1979) and Raj (1989), Mehta had focused on the interactions between India and the Western world. In A River Sutra, Mehta changes focus and explores the diversity of cultures within India. To accomplish this, Mehta presents seemingly unconnected stories in her novel, stories about Hindu and Jain ascetics, courtesans and minstrels, diamond merchants and tea executives, Muslim clerics and music teachers, tribal folk beliefs and the anthropologists who study them.