1. Who wrote the preface to "Towards a Poor Theatre"?
2. When was the interview in "Towards a Poor Theatre" (Chapter 1) first published?
3. How does Grotowski claim to feel when asked, "What is the origin of your experimental theatre productions?"
4. What is the name of Grotowski's school?
5. What does Grotowski say that he and his actors are trying to avoid in "Towards a Poor Theatre" (Chapter 1)?
6. Grotowski claims in "Towards a Poor Theatre" (Chapter 1) that his productions are detailed investigations of the _____ relationship.
7. Who does Grotowski say asked the key methodological questions of acting in "Towards a Poor Theatre" (Chapter 1)?
8. Whose rhythm exercises does Grotowski find most important?
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