Marat / Sade Test | Final Test - Hard

This set of Lesson Plans consists of approximately 112 pages of tests, essay questions, lessons, and other teaching materials.

Marat / Sade Test | Final Test - Hard

This set of Lesson Plans consists of approximately 112 pages of tests, essay questions, lessons, and other teaching materials.
Buy the Marat / Sade Lesson Plans
Name: _________________________ Period: ___________________

This test consists of 5 short answer questions and 1 (of 3) essay topics.

Short Answer Questions

1. Who is the first voice from Marat's past to speak in Scene 26?

2. Who interrupts the song several times during the Epilogue?

3. In Scene 18, for what group does Marat say the Revolution was fought?

4. Who is in charge of France at the end of the Interruptus narrative?

5. What color is Corday's hair?

Essay Topics

Write an essay for ONE of the following topics:

Essay Topic 1

In The Marat/Sade, Peter Weiss creates a compelling dynamic for his cast: many of his cast members are mentally disturbed, and their psychological infirmities affect their roles in the play-within-the-play. Write an essay on this dynamic in three parts:

Part 1) What is the infirmity of the actor playing Marat? How does this infirmity make him particularly appropriate for the role? How does this infirmity limit his movement on the stage?

Part 2) What is Charlotte Corday's ailment? How does this affect her ability to play her role in the play-within-the-play? How do the other characters onstage interact with her?

Part 3) What is Duperret's mental infirmity? How does this affect his interaction with Corday? How does the Herald deal with him in his scene's with Corday?

Essay Topic 2

Write an essay about the central argument between Sade and Marat. How do they different in regard to the right of private property? The violent overthrow of the aristocracy? The role of the middle class? Does the fact that Sade has written the role of Marat give him an unfair advantage in their dialectical debates?

Essay Topic 3

The Church is regarded with disdain by nearly everyone in The Marat/Sade. It is viewed as a useless institution at best and a perpetrator of oppression at worst. Write an essay about he place of the church in the play. How do Roux, Marat, and the ranting former abbot refer it it? Does Coulmier make any sort of compelling defense of it?

(see the answer keys)

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