Cinema 1: The Movement-Image Test | Mid-Book Test - Medium

This set of Lesson Plans consists of approximately 93 pages of tests, essay questions, lessons, and other teaching materials.

Cinema 1: The Movement-Image Test | Mid-Book Test - Medium

This set of Lesson Plans consists of approximately 93 pages of tests, essay questions, lessons, and other teaching materials.
Buy the Cinema 1: The Movement-Image Lesson Plans
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This test consists of 5 multiple choice questions, 5 short answer questions, and 10 short essay questions.

Multiple Choice Questions

1. What is another term meaning semi-subjective?
(a) Limited indirect subjective.
(b) Limited direct subjective.
(c) Free direct subjective.
(d) Free indirect subjective.

2. Which of the following was part of Bergson's first thesis of movement?
(a) Movement is succint.
(b) Movement is distinct.
(c) Movement is a cinematoraphic illusion.
(d) Movement is successful.

3. What country does Deleuze credit with quantitative trends?
(a) France.
(b) Germany.
(c) Soviet Union.
(d) USA.

4. Which of these terms describes a geometrical frame?
(a) Frontal.
(b) Equal.
(c) United.
(d) Closed.

5. Who does Deleuze credit as the leader of Soviet schools?
(a) Cartesia.
(b) Eisenstein.
(c) Griffith.
(d) Gance.

Short Answer Questions

1. What do "firstness" and "secondness" classify?

2. What term does Deleuze describe as relating movement to a changing whole?

3. Deleuze describes which country as using more light as movement?

4. What country does Deleuze credit with dialectic trends?

5. What term is used to describe the use of separate cinematic close-ups from specific places they appear?

Short Essay Questions

1. What are the poles of the face?

2. How does Deleuze describe Sternberg's use of facial dimensions?

3. How does Deleuze describe objectivity?

4. How can a filmmaker show unity of movement?

5. What did Gance contribute to film?

6. What does Deleuze attribute to pre-war French film?

7. Describe the conflict between Husserl and Bergson.

8. What is a perception-image?

9. What roles does Deleuze assign to the face?

10. What is an affection-image?

(see the answer keys)

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