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This test consists of 15 multiple choice questions and 5 short answer questions.
Multiple Choice Questions
1. When did the crisis of action-image begin in France?
(a) 1955.
(b) 1949.
(c) 1958.
(d) 1936.
2. What is the name of the film in which images of a horizon become fluid?
(a) Yellow River.
(b) Red River.
(c) Blue River.
(d) Gold River.
3. Spirituality affects a close-up in that it removes what from the environment?
(a) Expression.
(b) Face.
(c) Unity.
(d) Speech.
4. A complex entity can be which of the following?
(a) An item used off screen.
(b) Characters who don't come on-screen.
(c) Person, thing, character.
(d) Character or person.
5. Naturalism refers to how many dimensions?
(a) 1.
(b) 2.
(c) 3.
(d) 4.
6. What are the images used from which to deduce a situation?
(a) Action-image.
(b) Reasoning-image.
(c) Affection-image.
(d) Perception-image.
7. What is the name of Herzog's film with a Bavarian landscape?
(a) Diamonds.
(b) The Short Vacation.
(c) Heart of Glass.
(d) Shape of the Body.
8. The example of emotion as an object using the glove appears in which film?
(a) Titanic.
(b) Gone with the Wind.
(c) On the Waterfront.
(d) Casablanca.
9. Who is the second man Deleuze calls a cinematic master of realism?
(a) Fuller.
(b) Bunuel.
(c) Mitry.
(d) Bergson.
10. Who is the first man Deleuze calls a cinematic master of realism?
(a) Griffith.
(b) Eisenstein.
(c) Stroheim.
(d) Epstein.
11. The formula ASA brings out the distance between which of the following?
(a) Actions.
(b) Situations.
(c) Images.
(d) Indexes.
12. Where was Fuller from?
(a) Japan.
(b) Germany.
(c) USA.
(d) France.
13. What is the fourth of five traits of the new image, as designated by Deleuze?
(a) Firstness.
(b) Large form.
(c) Condemned consciousness.
(d) Cliche consciousness.
14. What kind of film does Deleuze say frees any-space-whatevers from human coordinates?
(a) Experimental.
(b) Organic.
(c) Japanese.
(d) Expressionist.
15. Who directed "Heaven and Hell"?
(a) Kurosawa.
(b) Dostoevsky.
(c) Eisenstein.
(d) Mizoguchi.
Short Answer Questions
1. What does lyrical abstraction define?
2. Deleuze claims that impression links situation with which other element?
3. Who does Deleuze credit as extending the realm of cinema to include the audience?
4. Deleuze claims that in order for behavior to strengthen a sensory-motor link, it must be which of the following?
5. What was Herzog's second obsessive theme?
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