2. In "Every Day We Are Learning," what is one think we learn?
(a) How to cook.
(b) How to love better.
(c) How to forgive ourselves.
(d) How to live with essence, not ease.

3. In "Cordage, or Atonement," what animal are we?
(a) The bird.
(b) The badger.
(c) The whale.
(d) The dog.

4. In "Another Nautical," what suffix does the poet consider?
(a) -sitting.
(b) -putting.
(c) -ship.
(d) -friend.

5. In "Compass," what is this book full of?
(a) Our friends.
(b) Our stars.
(c) Our moons.
(d) Ourselves.

6. In "Cut," what is there no meek way to do?
(a) Fight.
(b) Buy things.
(c) Eat.
(d) Mend.

7. In "Lucent," what does lumen mean?
(a) The cavity of an organ and a unit of luminous flux.
(b) A sea.
(c) A friend.
(d) A wire.

8. In "Earth Eyes," what does the poet ask generations of the past order to be?
(a) Recruits, not rescues.
(b) Lovers, not friends.
(c) Stars.
(d) Moons.

9. In "Fugue," what do we truly mean when we say goodbye?
(a) Let us be able to say hello again.
(b) We are always alone.
(c) We will not meet again.
(d) We need better friends.

10. In "Pan," what does Pan itself mean?
(a) God of nature.
(b) God of the underworld.
(c) God of books.
(d) Frying pan.

11. In "Ship's Manifest," what are we waiting for?
(a) To remember what it is we're supposed to be doing.
(b) To rise.
(c) To die.
(d) To eat.

12. In "The Shallows," how does Gorman describe us?
(a) Suspicious.
(b) Happy.
(c) Sad.
(d) Touch-deficient and light-starved.

13. In "Pan," how does the poet describe Pandora's box?
(a) As a necessity.
(b) As a misnomer.
(c) As a jar left ajar.
(d) As a movie.

14. In "Earth Eyes," what is clamped down?
(a) Our hair.
(b) Our conscience.
(c) Our nails.
(d) Our jaw.

15. In "Fugue," how do we fall into the news?
(a) With happiness.
(b) With angst.
(c) With longing.
(d) Head-first, dread-first.