Alfred H. Barr, Jr., Fantastic Art, Dada, Surrealism (New York: Museum of Modern Art, 1947);

Barr, Picasso: Fifty Years of His Art (New York: Museum of Modern Art, 1946);

Saul Bellow, Dangling Man (New York: Vanguard, 1944);

Alice Browning, Lionel Hampton's Swing Book (Chicago: Negro Story Press, 1946);

E. E. Cummings, 50 Poems (New York: Grosset & Dunlap, 1940);

T. S. Eliot, Four Quartets (New York: Harcourt Brace, 1943);

William Faulkner, Go Down, Moses (New York: Random House, 1942);

Henri Focillon, The Life of Forms in Art (New York: Wittenborn, Schultz, 1948);

Lloyd Frankenberg, Pleasure Dome: On Reading Modern Poetry (Boston: Houghton Mifflin, 1949);

Robert Frost, A Witness Tree (New York: Holt, 1942);

Naum Gabo, A Retrospective View of Constructive Art (New York: Philosophical Library, 1949);

Clement Greenberg, Joan Miro (New York: Quadrangle Press, 1948);

Peggy Guggenheim, Out of This Century: Informal Memoirs (New York: Dial, 1946);

John Hawkes, The Cannibal (New York: New Directions, 1949);

Ernest Hemingway, For Whom the Bell Tolls (New...