America 1930-1939: Arts Research Article from American Decades

This Study Guide consists of approximately 111 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of America 1930-1939.

America 1930-1939: Arts Research Article from American Decades

This Study Guide consists of approximately 111 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of America 1930-1939.
This section contains 787 words
(approx. 3 pages at 300 words per page)
Buy the America 1930-1939: Arts Encyclopedia Article

1904-1977
Actress

An Adaptable Star.

One of the leading ladies of Depression Hollywood, Crawford was known for her ability to play just about any role, inhabiting romantic comedies (W. S. Van Dyke's Forsaking All Others [1934]; Edward H. Griffith and George Cukor'j No More Ladies [1935]), gangster films (Harry Beaumont's Dance Fools Dance [1931]), historical dramas (Clarence Brown's The Gorgeous Hussy [1936]), farces (Van Dyke's Love on the Run [1936]), vicious social comedies (Cukor's hit The Women), Depression melodramas (Brown's Possessed [1931]; Howard Hawks's Today We Live [1933]), romantic dramas (Beaumont's Laughing Sinners [1931]; Brown's Chained [1934]), and even ice-skating pictures (Ice Follies of 1939, directed by Reinhold Schunzel). She costarred with Greta Garbo and John Barrymore in Edmund Goulding's 1932 Grand Hotel, played opposite Norma Shearer and Rosalind Russell in The Women, and had on-screen romances with Clark Gable and with Franchot Tone, to whom she was also married. In short Joan Crawford was the consummate...

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This section contains 787 words
(approx. 3 pages at 300 words per page)
Buy the America 1930-1939: Arts Encyclopedia Article
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America 1930-1939: Arts from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.