Milton W. Brown, American Painting from the Armory Show to the Depression (Princeton: Princeton University Press, 1955);

S. B. Cheney, Primer of Modern Art (New York: Boni & Liveright, 1924);

Cedric Dover, American Negro Art (Greenwich, Conn.: New York Graphic Society, 1960);

Katherine Dreier, Collection of the Societe Anonyme: Museum of Modern Art: 1920 (New Haven: Yale University Press, 1950);

Dreier, Western Art and the New Era; An Introduction to Modern Art (New York: Brentano's, 1923);

C. B. Ely, The Modern Tendency in American Painting (New York: Sherman, 1925);

Martin Friedman, The Precisionist View in American Art (Minneapolis: Walker Art Center, 1960);

W. Pach, Modern Art in America (New York: Kraushaar Galleries, 1928);

Paul Rosenfeld, Port of New York: Essays on Fourteen American Moderns (New York: Harcourt, Brace, 1924);

Lorado Taft, The History of American Sculpture, revised edition (New York: Macmillan, 1924);

Thomas E. Tallmadge, The Story of American Architecture (New York: Norton, 1927);

Dickran Tashjiaru, Skyscraper Primitives: Dada and the...