Frances Agnew, Motion Picture Acting (New York: Reliance Newspaper Syndicate, 1913);

David Belasco, The Theatre through Its Stage Door (New York: Harper, 1919);

Van Wyck Brooks, America's Coming-of-Age (New York: Huebsch, 1915);

Carolyn Caffin, Vaudeville (New York: Mitchell Kennerley, 1914);

Huntley Carter, The New Spirit in Drama and Art (New York: Mitchell Kennerley, 1913);

Vernon and Irene Castle, Modern Dancing (New York: Harper, 1914);

Anna Alice Chapin, Greenwich Village (New York: Dodd, Mead, 1917);

Sheldon Cheney, The New Movement in the Theater (New York: Mitchell Kennerley, 1914);

Francis Collins, The Camera Man (New York: Century, 1916);

Kenyon Cox, Artist and Public (New York: Scribners, 1914);

Homer Croy, How Motion Pictures Are Made (New York: Harper, 1918);

Joseph F. Daly, The Life of Augustin Daly (New York: Macmillan, 1917);

Ernest A. Dench, Making the Movies (New York: Macmillan, 1915);

Thomas H. Dickinson, The Case of American Drama (Boston: Houghton Mifflin, 1915);

Dickinson, The Insurgent Theatre (New York: Huebsch, 1917);

Max Eastman, The Enjoyment of...