Sketches New and Old, Part 4. eBook

This eBook from the Gutenberg Project consists of approximately 58 pages of information about Sketches New and Old, Part 4..

Sketches New and Old, Part 4. eBook

This eBook from the Gutenberg Project consists of approximately 58 pages of information about Sketches New and Old, Part 4..

Now all this comes of being good-hearted.  If I had been as unaccommodating and unsympathetic as some people, I would have told Mr. Bloke that I wouldn’t receive his communication at such a late hour; but no, his snuffling distress touched my heart, and I jumped at the chance of doing something to modify his misery.  I never read his item to see whether there was anything wrong about it, but hastily wrote the few lines which preceded it, and sent it to the printers.  And what has my kindness done for me?  It has done nothing but bring down upon me a storm of abuse and ornamental blasphemy.

Now I will read that item myself, and see if there is any foundation for all this fuss.  And if there is, the author of it shall hear from me.

I have read it, and I am bound to admit that it seems a little mixed at a first glance.  However, I will peruse it once more.

I have read it again, and it does really seem a good deal more mixed than ever.

I have read it over five times, but if I can get at the meaning of it I wish I may get my just deserts.  It won’t bear analysis.  There are things about it which I cannot understand at all.  It don’t say whatever became of William Schuyler.  It just says enough about him to get one interested in his career, and then drops him.  Who is William Schuyler, anyhow, and what part of South Park did he live in, and if he started down-town at six o’clock, did he ever get there, and if he did, did anything happen to him?  Is he the individual that met with the “distressing accident”?  Considering the elaborate circumstantiality of detail observable in the item, it seems to me that it ought to contain more information than it does.  On the contrary, it is obscure and not only obscure, but utterly incomprehensible.  Was the breaking of Mr. Schuyler’s leg, fifteen years ago, the “distressing accident” that plunged Mr. Bloke into unspeakable grief, and caused him to come up here at dead of night and stop our press to acquaint the world with the circumstance?  Or did the “distressing accident” consist in the destruction of Schuyler’s mother-in-law’s property in early times?  Or did it consist in the death of that person herself three years ago (albeit it does not appear that she died by accident)?  In a word, what did that “distressing accident” consist in?  What did that driveling ass of a Schuyler stand in the wake of a runaway horse for, with his shouting and gesticulating, if he wanted to stop him?  And how the mischief could he get run over by a horse that had already passed beyond him?  And what are we to take “warning” by?  And how is this extraordinary chapter of incomprehensibilities going to be a “lesson” to us?  And, above all, what has the intoxicating “bowl” got to do with it, anyhow?  It is not stated that Schuyler drank, or that his wife drank, or that his mother-in-law drank, or that the horse drank wherefore, then, the reference to the intoxicating bowl?  It does seem to me that if

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Sketches New and Old, Part 4. from Project Gutenberg. Public domain.